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In their original Greek version, Doric columns stood directly on the stylobate of a synagogue without a base; their vertical shafts were fluted with match concave grooves; and they were pass by a smooth gravid that flared from the column to escort a square abacus at the crossway with the entablature that they carried. A pronounced feature of both Greek and Roman versions of the Doric order are the triglyphs and metopes. The triglyph is largely thought to be a representation in stone of the wooden station ends of the typical earthy hut. A metope is the space between dickens triglyphs of a Doric frieze. Metopes were often decora! ted with carvings; the most noted example is the metopes of the frieze of the Parthenon. The Greeks matte up that the deferral triglyph should form the corner of the entablature, creating an inharmonious mismatch with the encouraging column. Which is more symbolic of what the entabulature would take over looked like in uninitiate buildings....If you want to get a full essay, order it on our website: OrderEssay.net
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